11/19/2022 0 Comments Ramones debut single![]() ![]() He entitled his piece “Ramones are rubbish,” and in response to the release of their debut album, described the band as “the latest bumptious band of degenerate no-talents whose most notable achievement to date is their ability to advance beyond the boundaries of New York City.” But perhaps one of the most out-of-touch reviews came from a young Morrissey in a July 1976 contribution to Melody Maker. Yes, reader, that all-caps shock appeared in newsprint. That is not the first verse or simply the chorus. “ne of their numbers ‘I Don’t Wanna Walk Around With You’ goes exactly like this: I don’t wanna’ walk around with you/ I don’t wanna’ walk around with you/ I don’t wanna’ walk around with you/ So why you wanna’ walk around with me/ I don’t wanna’ walk around with you. ![]() In the American midwest, one writer identified the record as “El Stinko garbage of the worst kind,” while another depicted the band as “four greasy misfits” whose LP suggested they were “out to restore rock’s bad name in one fell swoop” and “definitely not for everyone.” In Miami, Florida, one reviewer’s insistence upon ordinary tropes of songwriting – and dismay at the Ramones’ refusal to adhere to them – might make you laugh out loud: #RAMONES DEBUT SINGLE HOW TO#In NME, Nick Kent described Ramones as “an object lesson in how to successfully record neanderthal hardrock.” For other reviewers, what I can only characterise as a sheer lack of cool shone through in their album descriptions. Dave Marsh, writing for Rolling Stone, presented the band as “new masters of garage rock minimalismo,” but noted that “it all sounds the same” and suggested listeners would be attracted to the self-titled record “for the music and not the words.” The backhanded compliments kept coming. After all, the Ramones, for me, are the definition of punk, and it all started with the Ramones LP.Īt the time of the album’s release, with a handful of exceptions, relatively few reviewers would have agreed. But if I had just one ticket for time travel, I’d go back to CBGB in the 1970s to see the original lineup of the Ramones for a hometown show. #RAMONES DEBUT SINGLE FREE#Like you, I’m sure, I love Iggy and the Stooges, and yes, I wish I could have been at that Sex Pistols gig at the Lesser Free Trade Hall in Manchester. ![]() Their debut album changed my life, and it’s the Ramones who will always materialise in my mind when I think about progenitors of punk. It’s still surreal to realise that every original member of the band has left this world – wearing leather jackets and maintaining their status as three-chord wonders, I hope, in a punk rock heaven.įor me, the Ramones will always be present. Recognition of the contemporaneous pastness of the band itself, and the long-gone storied venues where the Ramones played, evinces an uncomfortable nostalgia. Although they’re part of the past, the memory of them persists in celebrations of the Ramones and the NYC scene they helped define. Those shops have since closed, replaced with chain stores and bougie boutiques. 4th Street subway station, and Bleecker Bob’s on W. I’m thinking about the short-lived Discophile in the Village that enticed CBGB crowds from 1976-1984, Sounds on St. Time runs fast and slow, so how strange it is to think that nearly five decades ago on this April day, Ramones landed at New York City record stores that have since become touchstones of punk history. Forty-five years ago on April 23, 1976, the Ramones released their self-titled debut album on Sire Records. That number can mean many things, from 7-inch singles that spin at 45 rpm to sapphire anniversaries steeped in nostalgia. ![]()
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